Bombay based Anil Goel is a writer of a rare genre in India. He is passionate about anything associated with technology and enjoys writing tech thrillers. “Exit Point”, which is his second book, was recently launched and is based on real technology but stretches the limits of what are currently available and future possibilities.
He saw a computer for the first time in the Asiatic Supermarket at Churchgate and thus began his lasting passion for computers and anything technology related. Two decades later, he is currently the Vice President of Media and Entertainment for Accenture in Mumbai itself.
Mr. Anil Goel was born in Benaras and grew up in Mumbai. His passion and knowledge for technology is exceptional. He went on to graduate as “the best outgoing student” from his college in the 90s. Anil sees the miracle of technology in everything, including the universe itself and that is what awakened in the form of creative writing around technology.
His first novel “Release 2.0: The Bangalore Imperative” was a first of its kind and was widely appreciated in the media for its fast pace, imagination and understanding of the IT industry. “Exit Point” is a tech thriller that takes us into a dark, mysterious online world where an ancient mystery is finally unraveling after centuries. The investigation into the baffling death of a teenage girl takes on chilling proportions when it turns out that the girl had committed suicide a year ago and snowballs rapidly into a global crisis spreading across all of humanity via the internet.
He plans on writing at least three more tech thrillers in the foreseeable future.
Movie Review: ‘Angrej’
Punjabi cinema has arrived finally and now the greatest challenge would be living upto the zenith high benchmark by ‘Angrej’. Till now the question was – Do we deserve the cinema we are getting, overall dominated by stand-up comedy type concepts and’Golmaal’ type scripts. Now a very wise and pertinent question to be asked would be: Do wedeserve this cinema that has come to us as a full-packaged form in the masterpiece called ‘Angrej’? To put it into other words rather than answering this question we can safely say that now is the time that Punjani audience elevates its cinematic sensibilities. We can’t complain that there’s a dearth of such brilliant concepts in Punjabi cinema. Now that you have it, give it your best response because otherwise you run the risk of not having it repeated again in Punjabi film industry.
Talking about the film in detail, we know that it is set in the Punjab of 1945. But it is needless to say that merely saying is not enough. ‘Angrej’ film ensures that every aspect of it, every thread is woven around that flavour of undivided Punjab. One actually visits it as the journey of the characters progresses. You feel like being one of them.
The writer has done a brilliant job with the story and dialogues being something that stand out from the mundane crowd of Punjabi films we had been a witness to recently. The almost flawless screenplay is and will prove itself to be the thing that carries on its shoulders the success of an experimental subject based movie. ‘Angrej’ is actually a writer’s film and Amberdeep Singh, who has contributed the story, screenplay and dialogues of the movie, is the man who carries the success of the film on his shoulders.
The film has a brilliant opening. It’s brilliant in the sense that it sets the tone and flavour of the film. We have an old man, who comes out of nowhere amidst the already laid down fabric of modern phone-hooked generation. The entry of the old man serves two purposes – on the one hand he gives us a fair idea that we have two generations in front of us and hence, a comparison would follow; secondly, he is remiscient and nostalgic about his past and has come to his old house and this proves to be the connecting link with the past times to be portrayed in the film as its main fabric.
Talking about the dialogues, one can only but marvel at their being so beautifully worded. They are not just well-worded but has an indepth connotation. “Azadi aayi nhi sagon fael gayi si”; “Jawani aayi nhi handayi si”; “Fatt khulla chhad chheti bharoo ya patti bann ke”; – a just a few instances. They have some literary air around them, which makes them all the more meaningful. All dialogues are very aptly placed. There’s one more characteristic feature about the dialogues in this movie, what at times where someone might even do without saying something, we have a word or two, but not just for the sake of saying it. There it adds to the psychological dimensions of the character in question.
The exotic natural sights and sceneries have been used so charmingly that they are in such close proximity of the main fabric of the film, that they become a part of it and thus, add to the portrayal of the particular emotion. For instance, Angrej’s (Amrinder Gill) pain is depicted by the place where he is standing – an open hut made with dried straws.
Screenplay of the movie is so flawless that not even for a single moment we feel that the writer leaves your finger to be lost in the listless movement. The journey is so perfectly timed throughout the film.
Binnu Dhillon finally got a chance to act instead of just indulging in his funny acts as had been the case in his previous films. In ‘Angrej’ we also have a full-stop to the stand-up comedians getting the limelight in a major part of the film and trying to take forward the plot of the film with they comic acts and punches.
Amrinder Gill has climbed quite a few ladders as far as his acting skills are concerned. Ammy Gill was very repetitive in his actions, not just physical actions like curving up his moustache, but also in his dialogues. There can be two reasons for that – either his role did not require much of verbal brilliance apart from a few charming dialogues or he wasn’t given a major chunk of a larger variety with a view to test the waters since it is his debut film. After all, he is a singer just like Amrinder Gill and that too par-excellence as far the singing capabilities of both the actors are concerned. Of all the heroines Sargun took the cake with her spontaneity while playing Dhan Kaur, though Aditi Sharma playing Maado too did justice to her part.
The music is another highlight of this film. None of the song is imposed or inserted unwanted. The songs have some very good lyrics and nice music. Overall the some songs are actually addictive. The background score adds to the charm.
The humour in the film is so natural and spontaneous that nowhere one is forced to laugh. It is actually witty at times than just simple plain humour. The complexity of emotions and romantic inclinations keep the audience spellbound. It was tough to entangle the situations thus developed till the climax but the have been beautifully justified with full support from the tight screenplay. Overall it is a must watch film, not just once but at least twice.
Star Rating: 4.5/5
Mukhopadhyay, Aju. The World of Sri Aurobindo’s Creative Literature. New Delhi: Authors Press, 2013. ISBN: 978-81-7273-696-5. (HB) pp. 161. Price: Rs. 600.
The World of Sri Aurobindo’s Creative Literature is one of the finest books written on Sri Aurobindo. The book is a comprehensive study of the seer-poet’s literary creations which are the gems in Indian English Literature. The book has total twelve chapters divided into four sections: Introduction, Poetry, Dramas and Short Stories.
The introductory part has detailed description of Sri Aurobindo’s life and works. From his being a true poet since his childhood to dour days in his education and qualifying in the ICS examination for the satisfaction of his parents. The author discusses “the Himalayan heights of his personality” and justifies him as “a classical scholar” like Dante.
Sri Aurobindo was inspired by Bankim Chandra Chattopadhyay’s Anandmath and PB Shelley’s The Revolt of Islam as well as Swami Vivekanand. Being a voracious reader, Aurobindo studied the Vedas, Upanishads, Puranas and India’s all sacred texts. It was the influence of these scriptures and his time that he believed in “Spiritual Nationalism”. It is his highest order of spiritual perception that he “lives in the minds of the people mainly as a yogi and philosopher, at the most as a great thinker.”
The author illustrates various poems of Sri Aurobindo (nature, romantic and mystic). By thorough study of his poetry, the author finds that Sri Aurobindo was greatly attracted by the English poets like Shelley, Keats, Coleridge, Matthew Arnold, Lord Tennyson, Swinburne, Stephen Phillips and the Greek poetry.
Besides his first volume of poetry, Songs to Myrtilla, having fine poems written between 1890 and 1892, the present book has a detailed analysis of Aurobindo’s greatest creation Savitri. The author makes comparison between Savitri and The Life Divine and asserts that “One is a poem and the other is a philosophy in prose.” Savitri has “spiritual content in poetic form, … , it is really not poetry in the usual sense but spiritual poetry of the future.”
There are various references of different writers and critics: AB Purani, Ann Margaret Robinson, P Lal, Keki N Daruwala, KD Sethna, Satprem, KR Srinivasa Iyengar, Nissim Ezekiel, Sisir Kumar Ghose, Ronald Nixon, James Cousin, Sir Herbert Read, Peter Heehs, Prema Nandakumar, Bernard M Jackson and some more in which Ann Margaret Robinson hails Sri Aurobindo as “A supreme master of English poetic expression and the greatest innovator in this language since Shakespeare.” Being honest to his work the author does not forget to put the criticism on Sri Aurobindo’s literary creations in which P Lal stands first.
Among dramas Perseus the Deliverer, Rodogune, The Viziers of Bassora, Eric and Vasavadutta have been discussed in depth and detail. The author describes that the first two plays have Syrian background and they are the results of Greek influence. The third play has the story from the Tales of the Arabian Nights told by Shahrazad in six nights to the king. It is a story that made the king spellbound, forgetting to kill the teller for her stories which continued for a long time. Eric, a romantic comedy, has setting in Norway and deals with different small kingdoms and earldoms fighting with each other for supremacy without paying heed to national unity. In the play Eric emerges as the most powerful king. In all these plays love and fate play a dominant role.
Vasavadutta is also a romantic play but this has setting on Indian soil. In this play “love triumphs against the regal power. It is a very sweet love story where the hero and heroine win against all ods by the force of love. It is taken from Somadeva’s Sanskrit storehouse of stories, Kathasaritsagara, a favourite source of Indian romance and drama.”
The last section of the book “Short Stories” covers a number of stories written by Sri Aurobindo. Some of them are: “Svapna” (A Dream), “Kshamar Adarsha” (The Ideal of Forgiveness), “Karakahini” (Tales of Prison Life), “Golden Bird”, “The Phantom Hour”, “The Devil’s Mastiff” and “The Door at Abelard”.
The author, Aju Mukhopadhyay has done a good job by producing such book, The World of Sri Aurobindo’s Creative Literature, which is comprehensive on its subject. He has approached every aspect of Sri Aurobindo’s literary world with plenty of relevant references that make the book a must read for the teachers and researchers interested in exploring Sri Aurobindo’s life and works in particular and Indian English literature in general.
Reviewed by Dr. Vijay Kumar Roy
A bilingual poet, writer, editor and critic
New Delhi, INDIA.
BOOK REVIEW ‘WORKOUT YOUR SOUL’
By Amritbir Kaur
Reading the book ‘Workout Your Soul’ is like looking within, talking to your inner-self. The book takes you along to an inward journey and you emerge out a pure, washed, somewhat cleansed soul because the book you the noble path to reach the destination – the destiny of refining of your soul. The book revolves around the thought, “A strong, undeterred virtuous soul is the key to universal faith – not rigid, dogmatic religion.”
Sonia Singh, the author of this book, has very meticulously planned the arrangement of the chapters beginning from ‘What is Universal Religion’ and precisely ending it with ‘Forgiveness with Positive Outlook’. A very noticeable feature of the book is the way the chapters are entitled; for instance, ‘The Ticker of Goodness Within’ or ‘The Kill of Money’ – such titles not only inspire but also tempt you to read. The writing style of the book is interesting. We feel as if we are being addressed individually and this is what helps to bind the reader and keep him glued to the book.
Finally I would simply say it is a book you won’t put down before you finish reading it thoroughly. And it’s not because it is a small book with just 96 pages, which is also a plus-point, but because it presents before us the essence without any repetitions and dragged narrations.
The language of the book is simple and easy to understand, which construes that there won’t be any obstruction on your path to self-reflection. There is clarity of thought in the manner in which it has been portrayed and presented in the book. It seems that the author had the courage of conviction while writing this book, which makes the book all the more authentic and impressive. The book is like a whiff of fresh air amidst the mundane life of a common man, who doesn’t even observe all the things around, let alone looking within.
About the Author:
Sonia Singh is an author, who started out by writing poems during her schooling. She won accolades as a debater at the University level. She has a Master’s degree in Chemistry and Education. She was an editor for a science magazine and editor-in-chief for the Quarterly News during her teaching career. She wrote this book for her kids so they will remember to remain in that “regular workout (that) gives you an admirable body, similarly working out your soul can give you an exemplary soul.”
About the Book:
The 96-page book ‘Workout Your Soul’, divided into eighteen chapters, has been published by Petals Publishers and Distributors with an impressive cover display photograph and well-spaced and easy to read print and good quality printing too.
Ranjodh did his mechanical engineering, coming from roots of family business, with strong automotive history. Inspite of inherting business values, he has singularly been to carve out a distinct identity for himself not only carrying his lineage forward but also in the field of Art and Social Work.
He joined as Project Engineer in 1989 in GS Radiators Ltd. And worked in various capacities efficiently. From being the Executive Director in 1992, he came to be Business / Chairman & Managing Director of GST GROUP in the year 2004.
Ranjodh Singh was elected as President of Ramgarhia Educational Council (REC), which runs 6 Educational institutions in Ludhiana as follows:-
- Ramgarhia Girls College
- Ramgarhia Sr. Sec School
- Ramgarhia Girls Sr. Sec School
- Ramgarhia Elementary School
- Ramgarhia Co-ed high School\
- Ramgarhia Swarag Asharam,GT Road,Dholewal.
He is the youngest President of REC and perhaps, of any Punjab university affiliated College. REC is 6 decades old institution and has done commendable work in field of education. It has been providing education to weaker sections of society. REC also manages Gurudwara Ramgarhia and Swarag Ashram.
Ranjodh Singh is presently acting as :-
- President- Punjab Lalit kala Academy since feb,2010-feb.2013.
- Finance Secretary of Guru Nanak Public School, Sarabha Nagar, Ludhiana.
- Vice President of Punjab & Chandigarh Private College Management Association
- Secretary of Neterheen Sangeet Vidhalaya, Anandpur Sahib, which provides free religious education to the blind, handicapped and orphan children.
- President of SPIC MACAY-Ludhiana Chapter- the Society for Promotion of Indian Classical Music Art and Culture amongst Youth.
- Member of Archeological Survey of India since May 2007.
- General Secretary of Auto Parts Manufacturers Association (India) since 27th September,2009.
- Member Senate—Guru Nanak Dev University-2009-2012;..
- Chairman –Creativity Council, Ishmeet Singh Music Institute, Ludhiana
- Patron- Sankara Eye Hospital, Ludhiana
As if all this was not enough, he is a thorough creative person as far as arts are concerned. He even received the state award for photography on Republic Day, 2004 from the then Chief Minister of Punjab; ‘VIRSA PUNJAB DA’ Award presented by Jagran Punjabi on 12 May,2012 AS “PUNJABI ARTIST OF THE YEAR” in a glittering ceremony; with chief guest-Bhagat Chunni Lal, Minister Local Bodies, Punjab, Sh.Nishikant Thakur and S.Shangara Singh Bhullar. There is a long list of awards he received for his social services too.
He has to his credit some notable and unputdownable wonderful books that include a unique coffee table book ‘Japuji Sahib – Prayer of the Soul’, which is the first ever translation/transliteration of Guru Nanak’s Japuji with photographic illustrations. Then there is a tri-lingual book on ‘Nankana Sahib and Sikh shrines in Pakistan’, a book on Hemkunt Sahib, ‘[email protected] – Original and not so Original Ideas that can change your life’.
The kind of person I have known him is that he is an ever-restless soul, who would want to improve this world with his unique and creative ideas. Venturing out on his bicycle in his cycling group he is carrying forward his pledge to contribute his bit to making this world a better place. Waiting till I hear about his next exciting and wonderful adventure!
I am reminded of Sahir Ludhianvi’s couplet:
Maana ki iss zameen ko na gulzar kar sake
Kuchh khar kam toh kar gaye guzare jidhar se hum
Ranjodh Singh seems to be on a mission like that…Amen!